![]() The word, “chanbara”, directly translates to “sword fighting”, and while the original Kurosawa films were period pieces, Tarantino uses the action techniques from these genres of movie for Kill Bill. The first obvious influence is that of samurai cinema, or chanbara, that Akira Kurosawa made so popular throughout his life. Quentin Tarantino uses a variety of eastern influences for these Kill Bill volumes, specifically genres that came to fruition in China and Japan during the second half of the 20 th century. But I will try and dive deeper into the origins of the genres he mines from, how he applies it to elements and images in his movie, and try to break down what he is trying to convey by using these older movie influences and techniques. These movies are absolutely loaded with appropriations from certain types of eastern cinema, and might have even been created simply to pay homage to these films. While he has appropriated these genres in his own movies like Pulp Fiction, Jackie Brown, and Reservoir Dogs, I will be discussing one of the better representations (and one of my personal favorites), the Kill Bill volumes. Tarantino has, with every movie production, paid homage to some sort of obscure genre that he discovered in his job as a movie rental store employee. ![]() One can look no further for cultural appropriation in film than Quentin Tarantino. Cultural appropriation is an adoption of a certain culture for a new meaning or intention by another.
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